Comics Experience Staff
Nicole Boose began her comics career as an assistant editor for Harris Comics’ Vampirella, before joining the editorial staff at Marvel Comics. There, she edited titles including Cable & Deadpool, Invincible Iron Man, and Stephen King’s Dark Tower adaptations. She also oversaw Marvel’s line of custom comic publications, developing projects for corporate and nonprofit clients like Target, OfficeMax, SAMHSA, and TeachersCount.
Since 2008, Nicole has worked as a freelance editor and consultant in the comics industry. She works regularly with writer Mark Millar, named one of Hollywood’s 5 Most Powerful Comics Writers, and has edited titles for his Millarworld line of creator-owned comics, including Superior, Super Crooks, Jupiter’s Legacy, MPH, Starlight, The Secret Service, and Chrononauts.
An active member of the Comics Experience community and staff, Nicole has also provided dozens of script critiques for Creators Workshop members, worked one-on-one with clients in the mentorship program, and currently manages the Comics Experience blog and newsletter.
Born in Philadelphia and a long-time New Yorker, Nicole now lives near Cleveland, Ohio with her husband, daughter and son. Follow her on Twitter at @NicoleBoose.
Phillip Sevy began his comics career with Heartless Dark, a weekly webcomic he wrote, penciled, inked, and colored. At its conclusion, Phillip attended the Savannah College of Art and Design where he got his MFA in Sequential Art. Working primarily as an artist, he’s had work published by Zenescope, Hic & Hoc Publications, and SCAD as well as featured in a variety of anthologies. After completing the four-issue miniseries The F1rst Hero for Action Lab Entertainment, he was named a runner-up in the 2013 Top Cow Talent Hunt competition.
For Top Cow, he drew the Magdalena short story Adelphia (which appeared in an issue of Witchblade) which led to him drawing the IXth Generation one-shots Athena IX and Poseidon IX and issues 5-8 of The Tithe (with series co-creator Rahsan Ekedal) as well as contributing to Witchblade 185 (the final issue of the landmark series).
Phillip just wrapped up a 12-issue run on the new Tomb Raider ongoing series from Dark Horse Comics, written by Eisner-Award winning writer Mariko Tamaki. His creator-owned miniseries The House (with Drew Zucker) is currently being released on Comixology and his creator-owned oneshot Paradox just wrapped a successful Kickstarter.
Phillip’s worked with a variety of corporate clients doing commercial illustration over the last few years, including AMC Entertainment and the Sundance Channel. When he’s not drawing, he teaches Comics and Sequential Art at Broadview Entertainment Arts University where he’s won awards for Outstanding Faculty and Excellence in Applied Learning.
Jason White is a former Assistant Editor for Marvel Comics. Jason spent his three and half years at Marvel, working on the second tier X-Men titles like X-Factor, X-Men Unlimited, Gen X, and Excalibur as well as What If. His proudest achievement while there was launching Mutant X.
Jason then moved on to working in marketing and PR for…well a very long time…at various computer software and entertainment businesses like Viz Media, Playthings Magazine, and Gartner. He is currently a Senior Creative Writer for an in-house marketing team where he spends his days writing video scripts, web copy, press releases, speeches and pretty much anything else the company needs including some voice-over work.
Throughout his careers, Jason has always maintained a close association with the comics industry not only through his former contacts with artists and writers but by making his Wednesday pilgrimage to his local comic shop and talking to various retailers about the business.
Owen Welsh has been working in the video game industry for the past 13 years for companies like EA, Flagship Studios and Qalang. He is most known for his character models on the Sims 2, Sims 3 and MySims franchises. Upon completing his B.A.S in Digital Visual Media at Expression college he immediately began working on properties for Electronic Arts.
During his tenure he has explored concept art, character design, 3D modeling, animation, visual effects and UI. Recently he’s completed a comic book and video game for Qalang called Halus & Hotstone. Additionally he’s contributed visual effects to Don Bluth’s Dragon’s Lair feature film pitch. Currently he’s working on a new comic for Qalang and a children’s book.
Along with his digital graphics career, Owen has studied under master animator and draughtsman Don Bluth participating in workshops, short films and master classes. Combining his apprenticeship in traditional animation and professional experience, Owen began mentoring artists and offering private teaching classes which led to some artists behind hired at Qalang. Following Qalang, Owen joined Intel Studios to develop film VFX on the largest volumetric capture dome in the world.
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James Janowsky is a writer and educator.
He is currently working on several screenplays, a T.V. pilot, and an eight issue comic book miniseries, “A.O.A.: Angle of Attack,” that will be released in 2018. Another T.V. pilot that he co-wrote, “The Hunt,” was a recent featured script on The Black List, a Table Read My Screenplay semi-finalist, a ScreenCraft Pilot Launch semi-finalist, and a Big Break quarter-finalist.
He taught screenwriting and film business at New York’s School of Visual Arts for six years. He has participated in film and writing seminars at the Independent Filmmaker Project, Film Interchange and the South Asian International Film Festival. In 2013 and 2014 he was selected to be a judge for the Student Academy Awards.
He has been hired by Fox, Fox Searchlight and Warner Bros. to moderate Q&A’s with Hollywood talent for such films as “The Grand Budapest Hotel,” “The Prisoner,” “Trance” and “How to Train Your Dragon 2.” Since 2005 he has moderated over 200 Q&A’s and he is hired yearly to teach moderating to SVA students for their After School Special Film Festival.
From 2001-2012 he was a part of the NBRMP, a screening member for four years and their Creative Director and Student Grant Committee Chair for seven. While working there, he established the student grants at NYU, Ringling College of Art and Design, the Ghetto Film School, Reel Works Teen Filmmaking, and Educational Video Center.
In 2012 he established the James Richard Janowsky Awards to honor talented film students. Since then, over 50 students at Columbia University, New York University and School of Visual Arts have received the JRJ Award. In 2017 two of the awardees won Student Academy Awards.
He is currently a member of the Independent Filmmaker Project, New York Women in Film and Television, and a voter for the Independent Spirit Awards. In 2000 he received his M.F.A. from the Columbia University Film Program with a concentration in screenwriting.
Reilly Brown has worked as an artist on a number of Marvel’s fan-favorite stories such as the mutant buddy-team of Cable & Deadpool, the infamous “Thorcules” fight in Incredible Hercules, and Spider-Man’s gig as a substitute teacher at the Avengers Academy in Amazing Spider-Man.
Brown is a also a digital comics pioneer with his creator-owned Power Play, as well as the recent Deadpool: The Gauntlet, which rethink comics for digital devices.