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Writing and Editing Testimonials


Tod Pleasant

“I sat down today to start a script and it soon stuck me how much of what I was doing has been influenced by the Intro to Writing class. I just wanted to say thanks, and that I look forward to coming back for the Advanced Writing.”


Chris Sotomayor

Colorist

“As a comic book professional, I’ve seen a lot of editors come and go in this industry. I have to say, Marc is the kind of editor you want to work with. He’s not a simple ‘traffic manager’ who plays sudoku between crises. Marc works with people. He works with creators. He knows how to get the best out of you, and push you to the next plateau and nurture your talent and the project in ways you wouldn’t have thought of. He’s always a seamless part of the team. And that’s what you want. A teammate. Not someone who rubber-stamps or passes the buck. You want someone looking out for you. That’s Marc. This motherf****** just knows comics.”


Adam Davis

“Thank you very much for the critiques. All of them make a lot of sense and are good catches. I’ve had a blast in these three classes and I look forward to growing as a writer in the workshop.

Thank you again for the awesome experience. Very glad I found Comics Experience.”


Frank Gogol

Comic Book Writer

“Paul gets comic book writing craft. He understands the effects and the mechanisms involved in great storytelling and can articulate what’s not working in a story and why. More importantly, though, Paul possesses a natural ability to identify these things in his students’ scripts and to offer clear, actionable feedback that elevates those students’ storytelling abilities. Some people are great writers. Some people are great teachers. Paul is both.”


Paul Allor

Professional Comics Writer–IDW Publishing, Challenger Comics, Gov't Comics

“Before I found Comics Experience, I knew I wanted to be a comic book writer, but I had no idea how to make it happen. No idea what editors were looking for, no idea how the industry worked, no idea how to market myself, no idea how to format a comic script.

Comics Experience gave me all these skills. It also gave me an incredible group of women and men who are all working towards the same goal. The Creators Workshop members are a tremendous resource, for support, for guidance and for advice.

This isn’t to say that ‘breaking in’ will be easy. It still takes talent, and determination, and more than a little luck. But with Comic Experience’s help, it’s gone from feeling like a pipe dream to feeling like a realistic, attainable goal. I am so happy to be on this journey, and so proud to be a part of the Comics Experience community.”


Joe Witmer

“(The) Editing and Project Management (course) proved to be exactly the class I’d been hoping for, packing a career’s-worth of comics-editing insights into four class sessions. The class covered everything from giving notes to writers and artists, to interacting with license holders, to budgeting a project, to the final assembly and production of a book. It was a heady mix of both the business and craft of making comics. Despite what could have been an overwhelming volume of information, Andy’s relaxed, conversational teaching style made each facet of an editor’s job feel manageable, and the end result is that more than ever, I’m hungry to help other comics creators make the best comics they possibly can.”


Ivan Antonio

“I’ve always wanted to work with comics in some capacity, and Andy Schmidt’s Intro to Comic Book Writing made me realize that I have the potential to break in. The course’s hands-on approach, which makes the students actually create while respecting a deadline, makes for an invaluable experience that I couldn’t find anywhere else. Learning the nuts and bolts from an actual editor with tons of experience and behind-the-curtain knowledge is priceless. Having your ideas and process constantly reviewed by Andy is going to improve your writing by leaps and bounds for the duration of the course. Speaking from personal experience, I was impressed by how clear and professional my final assignment looked, and Andy’s guidance was vital for me to reach this level of polish. The course was absolutely worth it and I’m already saving up for the Advanced Class!”


Wanda Beck

“For the past two years, my husband has been asking me to work on a comic with him. I wasn’t opposed to the idea, but I didn’t know anything about comics. I didn’t even know how to get started. There’s so much stuff out there, and it was very overwhelming. My husband recommended that I take Andy’s Intro to Writing Course, and I’m so glad that I did. Now I feel like I have a firm foundation, a really good jumping off place. Andy has created a very nurturing and informative environment, not just in the class but on the message boards as well. I highly recommend this course for anyone who has an interest in writing comics.”


Bret Bernal

“The advanced class is non-stop learning about the craft of writing comics. Sure, it’s possible to pick up a few writing tips by reading online interviews with creators. But that’s nothing compared to the weekly classes crammed with advice, Andy’s expert instruction, unlimited Q&A, and instant feedback. If you’re serious about learning how to write comics, this class is a must.”


Luigi Cicala

“Man, it’s been a crazy, great year! Letterer is finishing up our 32-pager now, the team is working on the rest of the script, thanks again, Andy, for helping me get back into comics!”